I am, as Xander Harris once said, 'seizing the fish.'
My website is now up! Please take a look if you are searching for an unusual gift. I'm trying to update it weekly and add more products to the shop. Every item is handcrafted by me and most are 'one of a kinds'. I also take commissions. More items due to be listed later today. http://www.goblinmoon.co.uk/
The winner of the Red Planet Prize is announced this month. I'm nervously awaiting the result. I could really use the prize money, but more importantly the winner also receives a commission.
Good news in the world of scripts... Island Pictures pitched me to the BBC as a 'new writer' back in September. The BBC liked my script and agreed to read a second one. I was recently informed that the second script went down well, and that it has been fwd to BBC Wales with a recommendation that I write for Merlin.
Me. Writing for Merlin! Dream come true, baby! Aside from the fact that Merlin is an action/fantasy series (my genre), it also stars three of my favourite actors, namely Anthony Stewart Head, John Hurt and Richard Wilson. How amazing to write lines for them!
My agent is supposed to be trying to arrange a meeting with BBC Wales, but I have yet to hear back from him. I don't really want to let it run over Christmas incase I get forgotten in the festive lull. Must phone him again...
I am also waiting to hear back from Steven Moffat regarding the script that I sent to him a few months ago. So it seems that I am destined to spend most of December waiting for responses/decisions on my scripts. I loathe this part. I truly do. The butterflies in my stomach feel more like pterodactyls right now!
But... it's all good. I have opportunities. That's gotta be a plus. =)
I have also started to learn the Italian language this week. My kids laugh at me as I repeat phrases while cooking the evening meal... but who cares? I'm learning a new skill and doing something that I enjoy.
Why Italian? Well, I went to see the movie 'Eat. Pray. Love' in the summer. It is supposed to be a 'life changing' movie, but all it really did was make me want to eat ice cream and speak Italian. So a couple of days ago I ordered a copy of SmartItalian from Amazon.
I'm hoping that - by the time I am fluent - I'll have landed a job and can take my family to Rome.
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Thursday, 16 December 2010
Wednesday, 11 August 2010
Getting my life back.
Don't get me wrong... I have LOVED having my son home this past 18 months and home educating him. It has done him the world of good and has certainly made us closer.
But...
...it will be so nice once September arrives and he starts High School. I will finally have my days to myself again and can GET SOME WRITING DONE!! I truly did not appreciate just how much time I had before. As with so many things in life, you do not value what you have until it is gone.
A whole working day. To myself. Five days a week. I am giddy with excitement. =D
I've been busy recently. I submitted the script for 'After Dark' to the Red Planet Pictures competition. I don't think it will get anywhere, but at least I have sent something. I also sent a synopsis for the newly named 'Intermission' to Island Pictures.
I rewrote the begining of my novel, 'In the Blood'. I cut five pages from chapter one and made it a prologue instead. It is faster paced now and more appropriate for the intended teenage market. Now that the above competition entry and synopsis are complete I can get back to finishing this book.
I'm enjoying writing. Just wish someone would actually pay me to do it....
But...
...it will be so nice once September arrives and he starts High School. I will finally have my days to myself again and can GET SOME WRITING DONE!! I truly did not appreciate just how much time I had before. As with so many things in life, you do not value what you have until it is gone.
A whole working day. To myself. Five days a week. I am giddy with excitement. =D
I've been busy recently. I submitted the script for 'After Dark' to the Red Planet Pictures competition. I don't think it will get anywhere, but at least I have sent something. I also sent a synopsis for the newly named 'Intermission' to Island Pictures.
I rewrote the begining of my novel, 'In the Blood'. I cut five pages from chapter one and made it a prologue instead. It is faster paced now and more appropriate for the intended teenage market. Now that the above competition entry and synopsis are complete I can get back to finishing this book.
I'm enjoying writing. Just wish someone would actually pay me to do it....
Monday, 28 June 2010
Dear Steven Moffat...
... how wrong I was to doubt you!! Wow. Never ever again will I lose faith in your ability to tell a story. The two part finale of Doctor Who was the most satisfying, rewarding and emotional ending to a series to date.
This was a masterpiece. A beautifully crafted tapestry of words and illusion. Like an intricate Celtic knot - comprised of more twists and turns than one could count.
Matt Smith was sublime as The Doctor, putting us through the whole spectrum of human emotion before the final scene. I have watched both episodes twice now and am still moved to tears. This was the first time we have seen him showing actual affection to River, and the development of their complicated relationship must be such fun to plot.
Thank you, Mr Moffat, for such a wonderful piece of writing. I don't know how I will survive the wait until the Christmas Special.
Please give me a job! <---- seriously.
This was a masterpiece. A beautifully crafted tapestry of words and illusion. Like an intricate Celtic knot - comprised of more twists and turns than one could count.
Matt Smith was sublime as The Doctor, putting us through the whole spectrum of human emotion before the final scene. I have watched both episodes twice now and am still moved to tears. This was the first time we have seen him showing actual affection to River, and the development of their complicated relationship must be such fun to plot.
Thank you, Mr Moffat, for such a wonderful piece of writing. I don't know how I will survive the wait until the Christmas Special.
Please give me a job! <---- seriously.
Tuesday, 15 June 2010
Mars Attacks
Red Planet Pictures have just launched their 2010 writing competition.
I'm excited.
Very. Excited.
This year they are looking for a one hour drama or tv pilot. I have a lot of tv pilots. Tons, in fact. Off the top of my head I can think of Demonheart, Henge, After Dark, Phantasmagoria, Sweet Enchantment...
Not all of these are completed scripts, but Red Planet are only asking for the first ten pages initially. No problem at all.
Here are the details:
This year’s competition is for an original 60 minute television script, either a single play or a pilot for a new series. You are initially required to submit the first ten pages along with a short synopsis. The full script should be available on request, you may be required to submit this within a month of the final closing date.
As before, the winner will receive £5000, a script commission and the option of representation if required.
Red Planet and Kudos will also mentor finalists for the Prize.The competition is open to anyone within the UK. The RED PLANET PRIZE will close to new entrants at midnight on 31st July.
31st July. I have some writing to do.....
As if that wasn't enough, the Peter Ustinov competition this year is for a half hour tv show. I just happen to be working on one called The Bad Apple.
There is a monumental gift horse standing in front of me and I am determined not to look the sucker in the mouth.
Happy Tuesday everyone. I'm off to buy some candles that I can burn at both ends...
I'm excited.
Very. Excited.
This year they are looking for a one hour drama or tv pilot. I have a lot of tv pilots. Tons, in fact. Off the top of my head I can think of Demonheart, Henge, After Dark, Phantasmagoria, Sweet Enchantment...
Not all of these are completed scripts, but Red Planet are only asking for the first ten pages initially. No problem at all.
Here are the details:
This year’s competition is for an original 60 minute television script, either a single play or a pilot for a new series. You are initially required to submit the first ten pages along with a short synopsis. The full script should be available on request, you may be required to submit this within a month of the final closing date.
As before, the winner will receive £5000, a script commission and the option of representation if required.
Red Planet and Kudos will also mentor finalists for the Prize.The competition is open to anyone within the UK. The RED PLANET PRIZE will close to new entrants at midnight on 31st July.
31st July. I have some writing to do.....
As if that wasn't enough, the Peter Ustinov competition this year is for a half hour tv show. I just happen to be working on one called The Bad Apple.
There is a monumental gift horse standing in front of me and I am determined not to look the sucker in the mouth.
Happy Tuesday everyone. I'm off to buy some candles that I can burn at both ends...
Monday, 14 June 2010
Musings on Doctor Who.
As the season finale approaches I confess to feeling a little flat about Doctor Who.
Don't get me wrong, I love this programme. It is one of the 'unmissables' on tv. Still I can't help but feel that the writers are somewhat dragging their heels. Most of the actual storylines seem secondary to quick one-liners and comic gags.
Yes, Matt Smith is a brilliant shining star. He has succeeded in doing the impossible - namely replacing David Tennant not just on our screens but also in our hearts . His intro as The Doctor was quite possibly the best yet!
Karen Gillan, however, has failed to make much of an impact as his sidekick, Amy Pond. Okay, so she has many male fans for obvious reasons, but as a character she fails to deliver. Not Ms Gillan's fault. The blame lies squarely with the writers.
Where is her humanity? What is there to love about Amy? She is sexual and feisty, but what else? Where is Amy's heart? Her soul? Hopefully the two part finale will fill in the blanks.
From what I have seen the writers are making the classic mistake of thinking 'more is better', and that a finale should be crammed with as many old characters as possible. The Daleks, Cybermen, Sontarans... everyone has an invite to the party. That must make for good tv, right? Surely the fans will love it!
Unfortunaltely, no. What the fans love - above all else - is The Doctor. The more characters you pack into one episode, the less screen time he gets. And we feel cheated. The less screen time he gets, the quicker he has to come up with a solution to the problem, and that means one of two things: either the solution itself is ridiculous, or it lacks drama.
If you want to do something special then take us back to the days when The Doctor had to use his brain. Show him being amazing! Because, at the end of the day, we want 'The Oncoming Storm'. We want a hero.
Wednesday, 9 June 2010
On dreams and dreamers...
I can't remember a time when I didn't write.
At six years old I wrote my first book - albeit a very thin one - about the adventures of Paddington Bear. By the age of seven I was writing and illustrating my own 'newspaper' which I sold to my long-suffering grandparents for 5p a copy. I think I called it The Sandown Times, and recall spending ages meticulously drawing out the calligraphy for the title so that it would look more professional. I loved coming up with dramatic headlines for the front page!
During our primary school years my sister and I used to share a bedroom. I would make up bedtime stories to tell her each night, usually involving puppies that had wonderful adventures.
When I was nine my teacher, Mrs Jones, asked each of her students what we would like to be when we grew up. I replied that I wanted to run a home for orphaned children. I think I had been reading 'The Water Babies' and was terribly saddened by the plight of little Tom. (The character Mrs Doasyouwouldbedoneby was a great influence on my life. Mrs Bedonebyasyoudid terrified me!)
Mrs Jones was the first person to suggest that I should become a writer. I am eternally grateful to her for that! I recall the moment very clearly as it was like a door opened and a beam of light fell upon me. There were angels singing and everything... Up until this point I had no idea that it was possible to have a career as a writer. Where the hell I thought books came from, I don't know!
For the last thirty years this has been my dream. I wrote and completed several books during my Middle and High School years. I've no idea what happened to any of them, although I do remember having a story published in the school paper.
When it came time to sit my 'O levels' I was in demand for my literary skills. O level English was taken as a written exam, but if you were put in for the lesser exam (I think they were called CSEs) you were required to submit a certain percentage of your work in advance. This made it incredibly easy to cheat!
Several other students had me write poetry, prose and short stories which they then submitted as their own work. I cringe at the thought nowadays, but at the time I was just so happy that people thought me worthy. A writer is nothing without readers, after all. Like the gods, we thrive on adulation. I think I must have written ninety percent of the coursework for my best friend. I didn't care. I took the English O level and passed with an A grade.
I was certain that I was going to be a writer when I left school. Okay, so for a while Indiana Jones persuaded me to be an archaeologist. I even did two weeks training with the Isle of Wight Archaeology Centre. But that idea was swiftly kicked in the pants when I found out that I would need Biology A level to study archaeology at University. I have a blood phobia. No way was I passing that test.
So writer it was. Until, that is, I came to have the 'Careers Advice Talk' at school. If I could borrow The Doctor's TARDIS for just a few hours I'd go back and beat the crap out of that man. (After seeing how the pyramids were built... what Stonehenge and Avebury were used for... having tea with Herodotus... ) The Careers Advisor sneered at me in a supersilious way and told me that I was sixteen now - I had to grow up and stop being a dreamer. Time to think about getting a proper job so that I wouldn't be a burden on my parents.
Incidentally, 'Dreamer' was later my name on a number of online forums.
I was painfully insecure until... um... probably five years ago. I studied for A levels for two years, but was signed off of the actual exams on medical grounds because I kept having panic attacks and not being able to breath. Years later these were correctly diagnosed as asthma attacks, but at the time I was given tranquilisers. I couldn't focus enough to study. I took the first job to come along and spent the next eighteen years working in an office which slowly and painfully Sucked. Out. My. Soul.
I never gave up on the dream. I never stopped writing. But I did stop believing in myself.
I will never, ever, tell my kids to give up on their dreams. Even if they want to be astronauts. I will encourage them to reach for the stars if that is what they want. You spend most of your life working. Better make it something that you enjoy. If you don't have joy and love and passion in your life then you are already dead.
I would love to write for telelvision. I want the thrill of seeing the people in my head come to life on the screen. But if that doesn't happen then I still have my books. The first novel in the Demonheart series - In the Blood - is almost complete. I have hopes for this one.
Wish me luck. Better still, wish me the stars.
At six years old I wrote my first book - albeit a very thin one - about the adventures of Paddington Bear. By the age of seven I was writing and illustrating my own 'newspaper' which I sold to my long-suffering grandparents for 5p a copy. I think I called it The Sandown Times, and recall spending ages meticulously drawing out the calligraphy for the title so that it would look more professional. I loved coming up with dramatic headlines for the front page!
During our primary school years my sister and I used to share a bedroom. I would make up bedtime stories to tell her each night, usually involving puppies that had wonderful adventures.
When I was nine my teacher, Mrs Jones, asked each of her students what we would like to be when we grew up. I replied that I wanted to run a home for orphaned children. I think I had been reading 'The Water Babies' and was terribly saddened by the plight of little Tom. (The character Mrs Doasyouwouldbedoneby was a great influence on my life. Mrs Bedonebyasyoudid terrified me!)
Mrs Jones was the first person to suggest that I should become a writer. I am eternally grateful to her for that! I recall the moment very clearly as it was like a door opened and a beam of light fell upon me. There were angels singing and everything... Up until this point I had no idea that it was possible to have a career as a writer. Where the hell I thought books came from, I don't know!
For the last thirty years this has been my dream. I wrote and completed several books during my Middle and High School years. I've no idea what happened to any of them, although I do remember having a story published in the school paper.
When it came time to sit my 'O levels' I was in demand for my literary skills. O level English was taken as a written exam, but if you were put in for the lesser exam (I think they were called CSEs) you were required to submit a certain percentage of your work in advance. This made it incredibly easy to cheat!
Several other students had me write poetry, prose and short stories which they then submitted as their own work. I cringe at the thought nowadays, but at the time I was just so happy that people thought me worthy. A writer is nothing without readers, after all. Like the gods, we thrive on adulation. I think I must have written ninety percent of the coursework for my best friend. I didn't care. I took the English O level and passed with an A grade.
I was certain that I was going to be a writer when I left school. Okay, so for a while Indiana Jones persuaded me to be an archaeologist. I even did two weeks training with the Isle of Wight Archaeology Centre. But that idea was swiftly kicked in the pants when I found out that I would need Biology A level to study archaeology at University. I have a blood phobia. No way was I passing that test.
So writer it was. Until, that is, I came to have the 'Careers Advice Talk' at school. If I could borrow The Doctor's TARDIS for just a few hours I'd go back and beat the crap out of that man. (After seeing how the pyramids were built... what Stonehenge and Avebury were used for... having tea with Herodotus... ) The Careers Advisor sneered at me in a supersilious way and told me that I was sixteen now - I had to grow up and stop being a dreamer. Time to think about getting a proper job so that I wouldn't be a burden on my parents.
Incidentally, 'Dreamer' was later my name on a number of online forums.
I was painfully insecure until... um... probably five years ago. I studied for A levels for two years, but was signed off of the actual exams on medical grounds because I kept having panic attacks and not being able to breath. Years later these were correctly diagnosed as asthma attacks, but at the time I was given tranquilisers. I couldn't focus enough to study. I took the first job to come along and spent the next eighteen years working in an office which slowly and painfully Sucked. Out. My. Soul.
I never gave up on the dream. I never stopped writing. But I did stop believing in myself.
I will never, ever, tell my kids to give up on their dreams. Even if they want to be astronauts. I will encourage them to reach for the stars if that is what they want. You spend most of your life working. Better make it something that you enjoy. If you don't have joy and love and passion in your life then you are already dead.
I would love to write for telelvision. I want the thrill of seeing the people in my head come to life on the screen. But if that doesn't happen then I still have my books. The first novel in the Demonheart series - In the Blood - is almost complete. I have hopes for this one.
Wish me luck. Better still, wish me the stars.
Saturday, 29 May 2010
In the Blood
My boss has gone away for four days and left me to run the shop. This would be fine, but he only left enough money to cover my wages for one day. Grrr.... As I'm paid less than minimum wage you'd think he could sort this out.
This is where I work:
http://www.fossilcavern.co.uk/
If anyone is in the market for a nest of oviraptor eggs lemme know. I can hook you up...
I always take a notebook and pen with me to work. During quiet periods I make drafts of synopses or character studies. Today I'm going to try to finalise the synopsis for the WW2 story (still untitled) and then get back to my novel, 'In the Blood'.
I initially came up with this idea as a tv series. 'Demonheart' is a fantasy/horror series along the same lines as Buffy. I set it on the Isle of Wight in the hopes of boosting local tourism if the tv series was a success.
In the Blood is the pilot episode of thirteen. It became clear that I was being very naive expecting it to get made, so I am in the process of rewriting Demonheart as a set of books for young adults.
I love this story. I love the characters. The end of the book is in sight. I hope it gets somewhere.
Here's the opening chapter. Enjoy!
-----------------------------------------------------------------
Demonheart book 1: In the Blood
Chapter 1.
Miller’s Lane was long and winding, flanked on both sides by a dense and eclectic woodland of birch and pine, oak and ash, chestnut and sycamore trees. The winter chill had stripped most to the bark leaving the roadside littered with dank, rotting debris. Deep brown leaves swirled in the wake of the passing car, releasing an odour of damp decay. Their glittering veins, painted silver by evening frost, sparkled briefly in the red taillights before darkness claimed them once more.
Seventeen year old Eleanor Fry checked her make-up in the mirror as she drove. Her dark eyes smouldered above chiselled cheekbones and ruby lips. She pouted seductively, turning her head from side to side. Irresistible. Isaac Hunter hadn’t stood a chance.
Icy rain began to pelt the windscreen, forcing her attention back to the road. Ellie flicked on the wipers and turned up the radio. Christmas tunes blared loud and cheerful. Keeping her eyes on the winding lane she reached across to the passenger seat and felt in her handbag for a lip gloss. One handed, she twisted the lid and applied the shine. Ellie glanced in the mirror once more as she rounded a bend.
‘Gorgeous.’ She purred.
The man seemed to come out of nowhere. His bright yellow parka screamed in the headlights as Ellie slammed on the brakes. He dived to one side as the car swerved and came to a stop with the engine running.
Heart pounding, Ellie turned to look over her shoulder. The rear window was spattered with rain making it impossible to see. Had she hit him?
‘Oh shit,’ she muttered. ‘Shit. Shit. Shit!’ She turned on the rear wipers and killed the radio. Ellie grabbed her handbag and rummaged for her mobile phone. No signal. Typical!
A hammering on the side door made her jump. Yellow parka man was standing right outside. Ellie hesitated for a second before buzzing the window down just a fraction. She was surprised to see a young man in his twenties. Fit. Hot, even. He was holding the hood of his jacket protectively over his head, hunched and squinting as the rain ran down his face. He smiled.
‘Battery’s dead and so is my phone. Got any leads?’
He jerked a thumb, and Ellie noticed a car at the side of the road. Its dark paintwork rendered it all but invisible through the downpour. She looked back to the man. Shook her head.
‘Don’t suppose…?’ he left the sentence hanging.
Ellie faltered. She glanced at the jumble of blankets on the back seat, then back to the stranger. If she left him here it could be hours before another car came by, and it was only a twenty minute drive to the next town. He would have to sit in the front, of course. It might be nice to have someone to talk to. After all, she was dressed to kill, and a little flirting might make the journey seem shorter. What could happen in twenty minutes? She tossed her handbag into the back, and unlocked the door.
The man climbed gratefully into the passenger seat. He removed his hood and extended a wet hand, which she ignored.
‘Dan Taylor. I really appreciate this,’ he said, withdrawing his hand and wiping rain from his face.
Ellie slid the car smoothly into first and began to drive. ‘I can take you as far as Collingwood.’ She stretched her fingers on the wheel, wondering if he had noticed the glistening polish that she had so painstakingly applied.
‘Great. Thanks.’ He wasn’t even looking. Ungrateful bastard. Ellie wriggled a little in the seat, allowing her skirt to raise a fraction. She pressed the clutch with a high heeled sandal and moved up through the gears, acutely aware of how this simple action flexed the muscles in her shapely legs.
‘Nice car.’ Dan smoothed the dashboard with an appreciative hand. ‘You’re lucky. My parents didn’t let me borrow theirs until I was… actually I don’t think they ever let me use their car.’
Ellie rolled her eyes. If he started talking about sport she was pulling over and he could get out – rain or not! ‘It’s mine,’ she countered brusquely. ‘Early Christmas present.’
Dan whistled. ‘Nice,’ he said again. ‘You know Taylor Automotives in Collingwood? The garage on River Street. That’s ours. You get any trouble just bring it straight in. I’ll get you a discount.’
‘Thanks,’ Ellie muttered, making a mental note to avoid the place like the plague.
‘So… you live on the island, or just down for the Christmas holidays?’
Ellie smirked. It made her laugh how the people here referred to the Isle of Wight as ‘the island’. As if it was the only one in the world. ‘Just moved here,’ she replied.
‘Yeah? How do you like it so far?’
‘It doesn’t suck. I guess.’
They drove in silence for a while. The rain had eased a little, and the rhythmic to and fro of the wipers became almost hypnotic. A cold, full moon shone white and strong above the treetops. It seemed impossibly large tonight, as if the Earth herself had reached out and pulled it close. Dark storm clouds rolled across the sky, blocking out the stars.
‘I’m surprised you pulled over.’ The man seemed to dislike the quiet and was struggling to make conversation. ‘Personally I’d never pick up a stranger. Especially at night.’
An icy shiver ran down Ellie’s spine. She glanced at Dan and saw that she had his full attention now. Unnerved, she plucked at her skirt, trying her cover her legs a little. He seemed not to notice.
‘Ever see that movie The Hitcher?’ he asked. Ellie shook her head. Dan laughed. ‘Scared the crap outta me! Not the remake. I mean the eighties version with Rutger Hauer.’ He gave an exaggerated shudder. ‘This kid pulls over to help a guy whose car has broken down. Right? Turns out the hitcher is really a serial killer who murders everyone that picks him up.’
Ellie’s knuckles whitened on the steering wheel. Why had she let him in? Stupid! She should have known that this would happen. Twenty minutes suddenly seemed like an awfully long time…
Ellie glanced in the rear view mirror.
She knew that Dan saw the look of horror that crossed her face, as his eyes widened. ‘I’m sorry!’ he said, and his face grew red. ‘I’m such an arse. I didn’t mean to scare you.’ He reached across to put a placatory hand on her arm.
Ellie screamed as a beast lunged at Dan from the back seat. It was covered in thick wiry hair, with the head and claws of a wolf, and the body of a man. The creature buried its teeth in Dan’s throat and began to savagely tear him apart. Blood splattered Ellie’s face and covered the windscreen, obscuring the road from view. She cried out in terror as the car left the road, crashed through the trees and slammed to a halt.
Dan’s arm fluttered feebly and then remained still. The snarling stopped. Blood dribbled down the windscreen and onto the dash as all fell silent.
Shaking uncontrollably, Ellie stared at the beast. Its fetid breath rose as hot mist on the icy air.
WHAM!! Ellie punched it in the face. ’Don’t you ever do that again,’ she raged. ‘Look what you did to my car!’
Slowly the creature morphed into a dark haired youth, naked and bathed in blood. Scott Fry calmly licked his fingers. His green eyes sparkled in the light of the full moon as he looked at his cousin.
‘I was hungry,’ he said.
This is where I work:
http://www.fossilcavern.co.uk/
If anyone is in the market for a nest of oviraptor eggs lemme know. I can hook you up...
I always take a notebook and pen with me to work. During quiet periods I make drafts of synopses or character studies. Today I'm going to try to finalise the synopsis for the WW2 story (still untitled) and then get back to my novel, 'In the Blood'.
I initially came up with this idea as a tv series. 'Demonheart' is a fantasy/horror series along the same lines as Buffy. I set it on the Isle of Wight in the hopes of boosting local tourism if the tv series was a success.
In the Blood is the pilot episode of thirteen. It became clear that I was being very naive expecting it to get made, so I am in the process of rewriting Demonheart as a set of books for young adults.
I love this story. I love the characters. The end of the book is in sight. I hope it gets somewhere.
Here's the opening chapter. Enjoy!
-----------------------------------------------------------------
Demonheart book 1: In the Blood
Chapter 1.
Miller’s Lane was long and winding, flanked on both sides by a dense and eclectic woodland of birch and pine, oak and ash, chestnut and sycamore trees. The winter chill had stripped most to the bark leaving the roadside littered with dank, rotting debris. Deep brown leaves swirled in the wake of the passing car, releasing an odour of damp decay. Their glittering veins, painted silver by evening frost, sparkled briefly in the red taillights before darkness claimed them once more.
Seventeen year old Eleanor Fry checked her make-up in the mirror as she drove. Her dark eyes smouldered above chiselled cheekbones and ruby lips. She pouted seductively, turning her head from side to side. Irresistible. Isaac Hunter hadn’t stood a chance.
Icy rain began to pelt the windscreen, forcing her attention back to the road. Ellie flicked on the wipers and turned up the radio. Christmas tunes blared loud and cheerful. Keeping her eyes on the winding lane she reached across to the passenger seat and felt in her handbag for a lip gloss. One handed, she twisted the lid and applied the shine. Ellie glanced in the mirror once more as she rounded a bend.
‘Gorgeous.’ She purred.
The man seemed to come out of nowhere. His bright yellow parka screamed in the headlights as Ellie slammed on the brakes. He dived to one side as the car swerved and came to a stop with the engine running.
Heart pounding, Ellie turned to look over her shoulder. The rear window was spattered with rain making it impossible to see. Had she hit him?
‘Oh shit,’ she muttered. ‘Shit. Shit. Shit!’ She turned on the rear wipers and killed the radio. Ellie grabbed her handbag and rummaged for her mobile phone. No signal. Typical!
A hammering on the side door made her jump. Yellow parka man was standing right outside. Ellie hesitated for a second before buzzing the window down just a fraction. She was surprised to see a young man in his twenties. Fit. Hot, even. He was holding the hood of his jacket protectively over his head, hunched and squinting as the rain ran down his face. He smiled.
‘Battery’s dead and so is my phone. Got any leads?’
He jerked a thumb, and Ellie noticed a car at the side of the road. Its dark paintwork rendered it all but invisible through the downpour. She looked back to the man. Shook her head.
‘Don’t suppose…?’ he left the sentence hanging.
Ellie faltered. She glanced at the jumble of blankets on the back seat, then back to the stranger. If she left him here it could be hours before another car came by, and it was only a twenty minute drive to the next town. He would have to sit in the front, of course. It might be nice to have someone to talk to. After all, she was dressed to kill, and a little flirting might make the journey seem shorter. What could happen in twenty minutes? She tossed her handbag into the back, and unlocked the door.
The man climbed gratefully into the passenger seat. He removed his hood and extended a wet hand, which she ignored.
‘Dan Taylor. I really appreciate this,’ he said, withdrawing his hand and wiping rain from his face.
Ellie slid the car smoothly into first and began to drive. ‘I can take you as far as Collingwood.’ She stretched her fingers on the wheel, wondering if he had noticed the glistening polish that she had so painstakingly applied.
‘Great. Thanks.’ He wasn’t even looking. Ungrateful bastard. Ellie wriggled a little in the seat, allowing her skirt to raise a fraction. She pressed the clutch with a high heeled sandal and moved up through the gears, acutely aware of how this simple action flexed the muscles in her shapely legs.
‘Nice car.’ Dan smoothed the dashboard with an appreciative hand. ‘You’re lucky. My parents didn’t let me borrow theirs until I was… actually I don’t think they ever let me use their car.’
Ellie rolled her eyes. If he started talking about sport she was pulling over and he could get out – rain or not! ‘It’s mine,’ she countered brusquely. ‘Early Christmas present.’
Dan whistled. ‘Nice,’ he said again. ‘You know Taylor Automotives in Collingwood? The garage on River Street. That’s ours. You get any trouble just bring it straight in. I’ll get you a discount.’
‘Thanks,’ Ellie muttered, making a mental note to avoid the place like the plague.
‘So… you live on the island, or just down for the Christmas holidays?’
Ellie smirked. It made her laugh how the people here referred to the Isle of Wight as ‘the island’. As if it was the only one in the world. ‘Just moved here,’ she replied.
‘Yeah? How do you like it so far?’
‘It doesn’t suck. I guess.’
They drove in silence for a while. The rain had eased a little, and the rhythmic to and fro of the wipers became almost hypnotic. A cold, full moon shone white and strong above the treetops. It seemed impossibly large tonight, as if the Earth herself had reached out and pulled it close. Dark storm clouds rolled across the sky, blocking out the stars.
‘I’m surprised you pulled over.’ The man seemed to dislike the quiet and was struggling to make conversation. ‘Personally I’d never pick up a stranger. Especially at night.’
An icy shiver ran down Ellie’s spine. She glanced at Dan and saw that she had his full attention now. Unnerved, she plucked at her skirt, trying her cover her legs a little. He seemed not to notice.
‘Ever see that movie The Hitcher?’ he asked. Ellie shook her head. Dan laughed. ‘Scared the crap outta me! Not the remake. I mean the eighties version with Rutger Hauer.’ He gave an exaggerated shudder. ‘This kid pulls over to help a guy whose car has broken down. Right? Turns out the hitcher is really a serial killer who murders everyone that picks him up.’
Ellie’s knuckles whitened on the steering wheel. Why had she let him in? Stupid! She should have known that this would happen. Twenty minutes suddenly seemed like an awfully long time…
Ellie glanced in the rear view mirror.
She knew that Dan saw the look of horror that crossed her face, as his eyes widened. ‘I’m sorry!’ he said, and his face grew red. ‘I’m such an arse. I didn’t mean to scare you.’ He reached across to put a placatory hand on her arm.
Ellie screamed as a beast lunged at Dan from the back seat. It was covered in thick wiry hair, with the head and claws of a wolf, and the body of a man. The creature buried its teeth in Dan’s throat and began to savagely tear him apart. Blood splattered Ellie’s face and covered the windscreen, obscuring the road from view. She cried out in terror as the car left the road, crashed through the trees and slammed to a halt.
Dan’s arm fluttered feebly and then remained still. The snarling stopped. Blood dribbled down the windscreen and onto the dash as all fell silent.
Shaking uncontrollably, Ellie stared at the beast. Its fetid breath rose as hot mist on the icy air.
WHAM!! Ellie punched it in the face. ’Don’t you ever do that again,’ she raged. ‘Look what you did to my car!’
Slowly the creature morphed into a dark haired youth, naked and bathed in blood. Scott Fry calmly licked his fingers. His green eyes sparkled in the light of the full moon as he looked at his cousin.
‘I was hungry,’ he said.
Thursday, 27 May 2010
Done and nearly done.
I am still working on research for the WW2 story (untitled as yet - ideas?), but have managed to complete a synopsis for my half hour sitcom, 'The Bad Apple', and sent it off.
Getting there... =)
Getting there... =)
Unemployed writer: Will write for chocolate.
It's a full moon tonight. I'm supposed to be all bouncy and optimistic.
Meh.
It is hard not to get despondent when you fill your days and nights pouring your life's blood onto the page, knowing full well that no-one will ever give a damn. I'm tired. I'm broke. I'm working my ass off for a pay day that never comes.
I don't need fame and fortune, but a little taste of success would be nice. Just a morsel. A crumb. Will write for chocolate...
It would be so nice to think that someone out there even knew who I was. That I actually exist outside of the endless pages I write.
Maybe the simple truth is that I'm just not good enough. Maybe I don't have what it takes. Maybe I did... but it shrivelled up and died.
Gods, I sound jaded. I probably am jaded. *sigh*
Meh.
It is hard not to get despondent when you fill your days and nights pouring your life's blood onto the page, knowing full well that no-one will ever give a damn. I'm tired. I'm broke. I'm working my ass off for a pay day that never comes.
I don't need fame and fortune, but a little taste of success would be nice. Just a morsel. A crumb. Will write for chocolate...
It would be so nice to think that someone out there even knew who I was. That I actually exist outside of the endless pages I write.
Maybe the simple truth is that I'm just not good enough. Maybe I don't have what it takes. Maybe I did... but it shrivelled up and died.
Gods, I sound jaded. I probably am jaded. *sigh*
Wednesday, 26 May 2010
Lazy ass researchers... how I loathe thee!
I'm reading 'American Gods' by Neil Gaiman as part of the 'One book, one tweet' book club on Twitter (#1b1t). This is, without doubt, one of the best books I have ever read. Needless to say all of Mr Gaiman's other scribings have been added to my long, long, long Amazon wish list. One day I shall actually make some money and be able to BUY something from that list. Wouldn't that be cool?
But I digress...
Most of the characters are ancient gods who have fallen on hard times and now live as caretakers, fortune tellers,etc. It is a wonderfully well researched book, incorporating mythology and religious practices from around the globe. Some less palatable than others.
Mr Gaiman also took certain liberties. He 'invented' a few facts to fit the narrative. Nothing wrong with that. It's a writers' job.
However, some lazy ass researcher has since written a reference book that includes these 'facts'. (Apparently they thought a work of fiction was a credible source!) Other writers have copied this in their reference books, and we now have a situation where fiction is quoted as fact by several independent authors.
I thought this was amusing until I encountered similar idle work this week.
I spent several days writing and perfecting a synopsis for the WW2 story I previously mentioned. I based this on information from a documentary. (Documentaries are my idea of a good time. That and pizza...) But, when I started to do a bit of research of my own, I discovered that a lot of the 'facts' in this programme were either incorrect or blatant lies!
How are people allowed to get away with this? How come someone can make a documentary when they haven't even bothered to check their info? Now I have to scrap the synopsis that I worked so hard on and start again.
It frustrates me that such indolent people can get jobs in tv, and I can't.
*Shakes fist at the Universe* Bah! Humbug!
But I digress...
Most of the characters are ancient gods who have fallen on hard times and now live as caretakers, fortune tellers,etc. It is a wonderfully well researched book, incorporating mythology and religious practices from around the globe. Some less palatable than others.
Mr Gaiman also took certain liberties. He 'invented' a few facts to fit the narrative. Nothing wrong with that. It's a writers' job.
However, some lazy ass researcher has since written a reference book that includes these 'facts'. (Apparently they thought a work of fiction was a credible source!) Other writers have copied this in their reference books, and we now have a situation where fiction is quoted as fact by several independent authors.
I thought this was amusing until I encountered similar idle work this week.
I spent several days writing and perfecting a synopsis for the WW2 story I previously mentioned. I based this on information from a documentary. (Documentaries are my idea of a good time. That and pizza...) But, when I started to do a bit of research of my own, I discovered that a lot of the 'facts' in this programme were either incorrect or blatant lies!
How are people allowed to get away with this? How come someone can make a documentary when they haven't even bothered to check their info? Now I have to scrap the synopsis that I worked so hard on and start again.
It frustrates me that such indolent people can get jobs in tv, and I can't.
*Shakes fist at the Universe* Bah! Humbug!
Labels:
#1b1t,
American Gods,
Neil Gaiman,
research,
Twitter,
writing,
WW2
Monday, 24 May 2010
Square one... again.
I had an email on Friday. Island Pictures have not officially discussed my idea yet, but the genre I chose is outside their comfort zone. So far, so not good.
The trouble is, in order to write something more 'acceptable' I have to do more than simply step outside my personal comfort zone... I have to take a giant leap.
I'm not comfortable with reality. I'll be honest - I don't like it. In order to write - and write well - you need to have a passion for your subject. So it would appear I am screwed.
Wrong.
What I AM passionate about is having a writing career. I wasted so many years doubting myself and not having the courage to at least TRY! I'll be damned if I am going to run whimpering into a corner and whinge about defeat. Not me. I want this too much.
So... I've come up with two ideas that I hope are more their style. Both based in real life. One is a true story from WW2. The other is a half hour sitcom.
If they don't like these I'll come up with something else. And I'll keep doing that until I succeed.
The trouble is, in order to write something more 'acceptable' I have to do more than simply step outside my personal comfort zone... I have to take a giant leap.
I'm not comfortable with reality. I'll be honest - I don't like it. In order to write - and write well - you need to have a passion for your subject. So it would appear I am screwed.
Wrong.
What I AM passionate about is having a writing career. I wasted so many years doubting myself and not having the courage to at least TRY! I'll be damned if I am going to run whimpering into a corner and whinge about defeat. Not me. I want this too much.
So... I've come up with two ideas that I hope are more their style. Both based in real life. One is a true story from WW2. The other is a half hour sitcom.
If they don't like these I'll come up with something else. And I'll keep doing that until I succeed.
Monday, 17 May 2010
Can I go back to bed now, please?
I woke up with no voice today. It's starting to come back now - slowly, painfully - three hours later. I hate having a cold. My head is full of fluff and I need to write.
I managed to complete a synopsis for Henge on Friday and got that sent off to Island Pictures.
This was stupid.
What I should have done is waited until today... checked it through again... then ammended the mistake that is glaringly obvious to me now. eg. I have written it like the blurb on the back of a book. I've left questions as to what happens next. Not clearly identified the bad guys.
This is fine for a book. But when writing a synopsis you have to be clear on everything. They neither want nor like surprises. Ugh. I need my brain back. And a gizmo to rewind time...
I am happy with the premise though. 'A lazy cop and a dead Druid battle the forces of darkness in rural Wiltshire.' What do you think? Does it say 'scary but amusing'? I hope so.
In other news I am onto chapter seven of American Gods. This is one of the best books I have ever read. And I have read a LOT. Highly recommend it.
I managed to complete a synopsis for Henge on Friday and got that sent off to Island Pictures.
This was stupid.
What I should have done is waited until today... checked it through again... then ammended the mistake that is glaringly obvious to me now. eg. I have written it like the blurb on the back of a book. I've left questions as to what happens next. Not clearly identified the bad guys.
This is fine for a book. But when writing a synopsis you have to be clear on everything. They neither want nor like surprises. Ugh. I need my brain back. And a gizmo to rewind time...
I am happy with the premise though. 'A lazy cop and a dead Druid battle the forces of darkness in rural Wiltshire.' What do you think? Does it say 'scary but amusing'? I hope so.
In other news I am onto chapter seven of American Gods. This is one of the best books I have ever read. And I have read a LOT. Highly recommend it.
Friday, 14 May 2010
Can I wake up now, please?
It's a dark moon. I'm always funky around the dark moon.
Yesterday was a total disaster. I woke with a headache and sore throat, and my day went downhill from there. Nothing I wrote came out right. I gave up on After Dark and tried Henge instead. Rewrote it four times and still managed to make it sound like it had been written by a twelve year old.
Oy. Must try harder.
Add to that the fact that this 'government' is getting creepier by the day. They seem to be split into two groups... those who *have* jobs in the government, and just keep smiling and telling everyone what a wonderful time they are having... and those who *don't* have government jobs, who feel free to snipe at each other and admit this coalition is shit and will never work!
I want it to work. We as a country need it to work. But I'm not buying the grins and buddy talk. Rewind three weeks and recall what these parties were saying about each others policies. You really think they can move past that and reach an agreement? Really?
And what if they do? What kind of government is built on compromise? How did the Lib/Dems, who actually LOST seats I believe, end up with their leader as Deputy PM??
I feel as though we have a 'Stepford' parliament. No-one is real. They are all pretending to be perfect. And the changes they are trying to push through are downright terrifying!
Can I wake up now?
Yesterday was a total disaster. I woke with a headache and sore throat, and my day went downhill from there. Nothing I wrote came out right. I gave up on After Dark and tried Henge instead. Rewrote it four times and still managed to make it sound like it had been written by a twelve year old.
Oy. Must try harder.
Add to that the fact that this 'government' is getting creepier by the day. They seem to be split into two groups... those who *have* jobs in the government, and just keep smiling and telling everyone what a wonderful time they are having... and those who *don't* have government jobs, who feel free to snipe at each other and admit this coalition is shit and will never work!
I want it to work. We as a country need it to work. But I'm not buying the grins and buddy talk. Rewind three weeks and recall what these parties were saying about each others policies. You really think they can move past that and reach an agreement? Really?
And what if they do? What kind of government is built on compromise? How did the Lib/Dems, who actually LOST seats I believe, end up with their leader as Deputy PM??
I feel as though we have a 'Stepford' parliament. No-one is real. They are all pretending to be perfect. And the changes they are trying to push through are downright terrifying!
Can I wake up now?
Tuesday, 11 May 2010
B is for Beautiful...
It's a beautiful day out there today. The sun is shining, the sky is a cloudless blue... I want to grab my coat and go walking in the wood.
Borthwood Copse is breathtaking at the moment. A lush carpet of scented bluebells interspersed with yellow primroses. Tiny forget-me-nots peek out along the path, and here and there are great seas of delicate white stitchwort. The hawthorn and cherry trees are in blossom, and vibrant spring greenery lifts the spirits.
I could live there. I truly could. If it wasn't for the spiders, of course... =)
Unfortunately I have to stay in and work on these two tv series ideas. They are pretty much complete in my head, but getting my thoughts down onto paper (or screen) adequately is proving difficult. I just can't seem to find the correct words. Must read more! My vocabulary is shrinking.
I am adapting one of my previous ideas to make it more adult. Although I am happy with the way it eventually turned out I am also mournful for the 'loss' of my previous script. It is hard to put so much of yourself into something and then tear it apart. Hopefully the peeps at Island Pictures will like the changes and make it worthwhile. 'After Dark' is now much darker...
The other idea - the new one - is called 'Henge' and is set in the village of Avebury. I was going to tie it in with the legend of King Arthur, but worry that the no-one will touch it due to the popular series 'Merlin'. Shame, as it all fit together perfectly. I have alternative antagonists, but no dastardly plan as yet.
Must go write. Wish me adjectives!
Borthwood Copse is breathtaking at the moment. A lush carpet of scented bluebells interspersed with yellow primroses. Tiny forget-me-nots peek out along the path, and here and there are great seas of delicate white stitchwort. The hawthorn and cherry trees are in blossom, and vibrant spring greenery lifts the spirits.
I could live there. I truly could. If it wasn't for the spiders, of course... =)
Unfortunately I have to stay in and work on these two tv series ideas. They are pretty much complete in my head, but getting my thoughts down onto paper (or screen) adequately is proving difficult. I just can't seem to find the correct words. Must read more! My vocabulary is shrinking.
I am adapting one of my previous ideas to make it more adult. Although I am happy with the way it eventually turned out I am also mournful for the 'loss' of my previous script. It is hard to put so much of yourself into something and then tear it apart. Hopefully the peeps at Island Pictures will like the changes and make it worthwhile. 'After Dark' is now much darker...
The other idea - the new one - is called 'Henge' and is set in the village of Avebury. I was going to tie it in with the legend of King Arthur, but worry that the no-one will touch it due to the popular series 'Merlin'. Shame, as it all fit together perfectly. I have alternative antagonists, but no dastardly plan as yet.
Must go write. Wish me adjectives!
Thursday, 6 May 2010
Eureka moments and the tendency of tempus to fugit.
It was supposed to be simple - take a tv series idea and make it more 'adult'. No problem. I'll have it done by the weekend...
But as I worked on making the theme scarier, creating more tension, and introducing more adult scenes, I realised that the characters themselves were now wrong. Originally they were in their late teens and early twenties. Far too young (if statistics are to be believed) to capture the hearts and imagination of older viewers.
Damn.
So I made them ten years older. Much better. Only now their dialogue sounded immature and their character traits didn't fit. How would those extra ten years of life have affected them? Did they learn and grow, or hide from their problems? Were their insecurities overcome or accentuated? Who were they now?
I love creating people. I truly do. I find it the most enjoyable part of writing a script. But I could not find a way to make those characters mesh once I had added ten years. I tried getting rid of one of them, adding another, starting over with new characters and only the keeping original premise intact... I just couldn't make it work.
Somehow two months passed and I was nowhere near a solution. I got dispondant. What the hell was I thinking trying to make it as a writer anyway? I started work on a new book instead and told myself I was being pro-active.
Then this morning I had a Eureka moment in the bath. (What better place?) I started to 'see' the opening scenes in my head. I realised that the focus needed to shift to one of the other characters. I watched, fascinated, as the entire first act was played out in my mind. FINALLY I know who they are!
It is probably too late to submit this idea now, but I'm going to complete it anyway. I'm excited about it again. Hopefully that passion will show through.
But as I worked on making the theme scarier, creating more tension, and introducing more adult scenes, I realised that the characters themselves were now wrong. Originally they were in their late teens and early twenties. Far too young (if statistics are to be believed) to capture the hearts and imagination of older viewers.
Damn.
So I made them ten years older. Much better. Only now their dialogue sounded immature and their character traits didn't fit. How would those extra ten years of life have affected them? Did they learn and grow, or hide from their problems? Were their insecurities overcome or accentuated? Who were they now?
I love creating people. I truly do. I find it the most enjoyable part of writing a script. But I could not find a way to make those characters mesh once I had added ten years. I tried getting rid of one of them, adding another, starting over with new characters and only the keeping original premise intact... I just couldn't make it work.
Somehow two months passed and I was nowhere near a solution. I got dispondant. What the hell was I thinking trying to make it as a writer anyway? I started work on a new book instead and told myself I was being pro-active.
Then this morning I had a Eureka moment in the bath. (What better place?) I started to 'see' the opening scenes in my head. I realised that the focus needed to shift to one of the other characters. I watched, fascinated, as the entire first act was played out in my mind. FINALLY I know who they are!
It is probably too late to submit this idea now, but I'm going to complete it anyway. I'm excited about it again. Hopefully that passion will show through.
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